What's New on the U2 Blog?
Stay up-to-date with News, Images, Videos, Interviews, and more from this summer's hottest tour.
Live Design's Latest U2 articles:
U2 Designer Willie Williams Featured At LDI2009
Meet the director/designer of the U2 360° tour at LDI2009 in Orlando...
Up on the Roof With U2, Part 2
Part 2 of our look at the custom LEDs that light the tensile roof structure of the U2 360˚ Tour.
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U2 360°: Q&A With Lighting Director Ethan Weber
Lighting director Ethan Weber wants to ensure show designer Willie Williams see a show each night that looks a lot like the one he saw before.
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U2 360°: Q&A with Video Director Stefaan “Smasher” Desmedt
Video plays a (very) large part of the U2 360° Tour both as a design aspect and a technical element…...
U2 Microsite: Q&A with Frederic Opsomer, Innovative Designs, A Barco Company
It all started in the production office during the Tokyo concert of U2’s Vertigo tour. Willie Williams showed me some very conceptual drawings of what would become the 360° stage and said...
U2 360° Tour: Q&A With Stageco
Hedwig de Meyer, president of Stageco, comments on his company’s role in the building of The Claw for the U2 360° tour...
U2 360°: Q&A with Systems Crew Chief Craig Hancock, Part 3
The final installment of our there-part interview with systems crew chief for U2 360°, Craig Hancock....
U2 360°: Q&A with Systems Crew Chief Craig Hancock, Part 2
More from systems crew chief Craig Hancock, who discusses the lighting control and power network for U2 360°....
U2 360°: Q&A with Systems Crew Chief Craig Hancock, Part 1
Systems crew chief Craig Hancock discusses the lighting control and power network for U2 360°....
U2 Rehearsals, Barcelona, Spain, Part One
From the Live Blog: Willie Williams is a remarkably calm man, but giving birth can do that to you. We’re inside Camp Nou, situated in a residential neighborhood in the hills above Barcelona, Spain...
U2 Rehearsals, Part Two: The Temple of Attention
From the Live Blog: I’ll be the first to admit I’m a little slow on the uptake, but I think I’ve finally figured out why the folks involved in the U2 360° tour have been so hesitant to have the shots taken of the set. It’s because it’s not finished...
