When I began assisting Jeff Davis, one of our first projects was a production of The Magic Flute for Indianapolis Opera. The opera demands both fire and water effects as part of the plot. I inquired about the use of moving lights, and Davis said that, although Indianapolis Opera had sufficient budget to rent moving lights, he did not think there was time in the production schedule to program them. The typical Indianapolis Opera technical schedule begins with an electrics pre-hang in a ...
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