Seen at the Spiegeltent: One of the perks of being a theatre reviewer is good seats at every performance. But this comes at a price. I was seated in the front row of the one-ring circus known as Absinthe, where in the space of two acts I dodged the potty-mouthed one-liners of the host, held the casually discarded costume of a wayward pogo-sticking machete juggler, and faced the perilously flying limbs of contortionists and a roller-skating act seemingly imported from England to lop my head ...

General Admission

This content is free to access as a registered user on

Why register for It's simple and free, and here is what you get:

  • Daily original news covering the latest in entertainment design and technology
  • Features on the latest industry trends
  • Insights from thought leaders in the industry
  • The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision

Already registered? here.