Seen at the Spiegeltent: One of the perks of being a theatre reviewer is good seats at every performance. But this comes at a price. I was seated in the front row of the one-ring circus known as Absinthe, where in the space of two acts I dodged the potty-mouthed one-liners of the host, held the casually discarded costume of a wayward pogo-sticking machete juggler, and faced the perilously flying limbs of contortionists and a roller-skating act seemingly imported from England to lop my head ...

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