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The Road To Qatar
The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
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The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.
The York Theatre Company production of the new musical The Road To Qatar opened last week, with a creative team that includes Michael Bottari and Ronald Case (set, costume, and puppet design), Martin Vreeland (lighting), and Chris Kateff (projections). The production stage manager is Sarah Hall.