When granted the chance to get a backstage tour of two of Cirque du Soleil’s latest and greatest Las Vegas shows, Love and KA, I thought my most vivid impressions would be of KA’s enormous automation infrastructure—after all, it’s directly reminiscent of Zion, the vast, mechanized underground city from the Matrix movies. But the thing that this projection designer walked away thinking about was Love’s projection system and the very small department of technicians that are dedicated to ...

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