When Keith Paul Medelis founded The New Theatre Project (TNTP),he was apprenticing at the Performance Network Theatre (PNT), an Equity house in Ann Arbor with a rehearsal room about 20'x35' that PNT let him use for his first production. He wanted to do Frank Wedekind’s Spring Awakening because the themes resonated but incidents in the script seemed dated. Adolescent sexuality is always complicated, but masturbation, for instance, no longer shocks many of us. Were there other ...
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