PART THREE • BROADWAY BECKONS By the late 1960s and early 1970s, Broadway had failed to attract a new generation of theatregoers. Stephen Suskin asserts that “the early '70s saw one disappointing musical after another from former hit-makers like Rodgers, Lerner, Styne, Bock, Strouse, Herman, Kander, and Coleman” (Suskin 2006, 133). Legendary Producer Stuart Ostrow attributes the problem to the fact that, by the late 1960s, “Broadway was recycling too much of its past…and we lost a ...

General Admission

This content is free to access as a registered user on

Why register for It's simple and free, and here is what you get:

  • Daily original news covering the latest in entertainment design and technology
  • Features on the latest industry trends
  • Insights from thought leaders in the industry
  • The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision

Already registered? here.