Raymond Gubbay’s perennial opera-in-the-round offering at London’s Royal Albert Hall in the spring of 2006 featured a ground-breaking sound automation technique which combined Out Board’s TiMax Audio Imaging delay matrix with a new automated tracking system developed by Norwegian technologists Track The Actors (TTA). Autograph Sound provided the Meyer, XTA, and Digico D5T sound system, supervised by Andy Brown. Sound designer Bobby Aitken uses TiMax to create a “source-oriented ...
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