Times have changed. Back in 1991, when William (“Willy”) McLachlan was working on the original American Gladiators, he had 22 moving lights. The show's latest incarnation, designed by Oscar Dominguez with McLachlan as lighting director, employs nearly 600 moving lights, and as McLachlan says, “We could have deployed 150 more moving lights and not even noticed.” Filmed on a sound stage just shy of the size of a soccer field, the set requires lighting coverage for long shots, underwater ...
This content is free to access as a registered user on livedesignonline.com
Why register for livedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision