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Rock Steady With Rock Of Ages On Broadway, Part 1: Projection Design
Jumping from a successful Off Broadway run to the Brooks Atkinson Theatre on Broadway, Rock Of Ages features creative by lighting designer Jason Lyons, projection designer Zachary Borovay, and sound designer Peter Hylenski
The Future Of Design Is Yesterday | The Projection Designer's Toolbox is back! | Nov 2008
The Projection Designer's Toolbox is back! Sorry for the long sabbatical. As some readers may know, I have been lucky enough to have been inundated with many interesting projects over the last year or so. I can't complain, but it has prevented me from being able to contribute on a monthly basis. This fall, I started teaching a Masters degree course called Projections for Stage Design at Long Island
Staging & Rental
Providing practical information to staging professionials, rental agencies, as well as the meeting/event planners they serve, who are producing high-quality, technology-rich staged events for entertainment and business. Coverage includes video, projection, audio, and lighting.
Concerts in Entertainment Design
From the big and extreme, to the small and simple, and from one-offs to tours that go on for years, concert lighting, projection, and content designers and programmers share their expertise.
Projection Gear
Media servers, router, projectors—you can find it all here in Projection Gear.
Projection Gear
Media servers, router, projectors—you can find it all here in Projection Gear.
News in the Design Engineering Industry
Zachary Borovay-Broadway Projection Master Classes
Zachary Borovay is a theatrical video and projection designer whose credits include the current Broadway musical, Rock of Ages (Broadway), A Catered Affair (Broadway, Drama Desk Award nomination for projection design), Radio City Music Hall's 75th Anniversary Christmas Spectacular, Xanadu (Broadway), I LAND (Culture Project), Nerds (Philadelphia Theatre Co.), 13 (Mark Taper Forum), The Wiz (Stage Entertainment, Holland) and Angels in America: The Opera (Opera Boston).
Projection Toolbox: Melody, Harmony, Rhythm And Projections
As some people know, I originally started my journey into musical theatre with a desire to land in the pit orchestra. In my youth, I split my time assisting my father, a scenic designer, and studying classical music as a double bassist. I attended the New England Conservatory and later the Berklee College of Music, studying both classical and jazz bass. I have mentioned many times in this column that
Projections Unchained
Tony-nominated for his work on the hit Broadway musical revival of Cabaret, Mike Baldassari has designed lighting for theatre, concerts, major corporate events, and television (including an Emmy nomination for the lighting direction of Garth Brooks Live From Central Park). In the concert arena, he has designed shows for Mos Def, John Mellencamp, and Neil Young. When pioneering Seattle rock band Alice
Google Brings 3D to the Masses
Last March, Google announced that it had aquired @Last Software, whoÂ’s sole product was a a little application called Sketchup.
Projection Toolbox: Update Roundup
I am writing this at my tech table at the Beatrix Theater in Utrecht, Netherlands, where I am in tech for a new production of The Wiz. On this show, I've had the opportunity to try out a few new gadgets and software goodies that I'll report about here. First and foremost, I am using a new Apple Mighty Mouse wireless edition. The mouse (pictured, right) features a Bluetooth wireless interface and laser
Projection Toolbox: Stars Of The Not-So-Silver Screen
Many times, a projection designer is brought in to a show later in the game than the other designers. Often it is after the show's budget has been set and sometimes even after the show's scenery has been designed or built. It is usually at this point that the projection designer looks over the plans to determine if the scenery has a surface that can act as the projection screen. Sometimes the project
Projection Toolbox: What's On Your Tech Table?
Ah, the tech table my home away from home. When I am working on a show, and we are about to go into tech rehearsals, I always try to spend an hour or two organizing all the stuff that I like to have at my table. Aside from my trusty PowerBook, I usually bring my Apple MightyMouse and mouse pad (you never know what kind of surface the table will actually be), a blank yellow legal notepad, and plenty
Backup Or Else
Here's a note Tom Rodeheaver of Park Slope, Brooklyn, sent in after reading my first column (A Stranger in a Strange Land, Live Design, December 2005, p. 84) [Editor's Note: You may also have read this letter in the section of the February issue, p. 14]: I didn't see it listed in the items [Zak] purchased for the new computer, but I hope he invests in some sort of external storage (an actual stand-alone
