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Davi Napoleon Problem/Solution| Shifting a wooden floor
Problem There are surprises in the Guthrie Theatre's Peer Gynt. Some are in Ibsen's fantastical story. Some are in Tim Carroll's production of Robert Bly's translation, which adds a surprise party for Gynt during which he collapses and imagines himself into the play. And some are in, well, in the floor. The many scenes unravel in a barn-like wooden structure, with few props. But Carroll and scenic/costume
How-Tos in Entertainment Design
DonÂ’t know how to do it? Maybe we do. Check our archives of problems already solved in the entertainment design industry.
High-Wire Act
Sitting in the
Lost In Translation Trucking Through China With Aida
Nederlander Worldwide Entertainment (NWE) tackles trucking Aida through China.
The Chicago Shakespeare Theatre recreates a slaying for "Henry IV, Part I"
The Chicago Shakespeare Theatre recreates a slaying for
Keeping Up With The JonesinÂ’ At University of Michigan
University of Michigan student designers tackle an unfinished play producing student work JonesinÂ’ by Seth Moore.
How Designers Use (and Misuse) Assistants
Lighting designer Brian MacDevitt says his
Lessons Learned
Just like med students learn on cadavers, you have to let them butcher it a little bit.
Problem/Solution: High-Tech Design, Low Budget For MTVÂ’s ESL
Production designer Terry Gipson and lighting designer Michael Grabowski share ideas and budget to achieve a unique look for MTVÂ’s ESL.
Problem/Solution: Making A Splash For Twelfth Night at Chicago Shakespeare Theatre
Chicago Shakespeare Theatre takes Twelfth Night to sea without flooding a theatre.
The Dream Team For Memphis' The Playhouse On The Square
The Playhouse On The Square looked to Chicago's Steppenwolf as a model for its new theatre
Problem/Solution: Theatrical Savvy Saves A Project For The Detroit Zoo
Monika Essen designed four studios to be used for art classes, meetings, and more for the Detroit Zoo
We Know What You Did This Summer
Scenic designer Robert Mitchell, who once assisted Jo Mielziner and Boris Aronson, recalls how his mentors vacationed:
News in the Design Engineering Industry
Theatre: how design and entertainment technology affect productions
From the latest on Broadway and LondonÂ’s West End, to opera and dance, see how design and entertainment technology affect productions.
Theatre: how design and entertainment technology affect productions
From the latest on Broadway and LondonÂ’s West End, to opera and dance, see how design and entertainment technology affect productions.
Chicago
Scenic and Lighting Resources Chicago-based LD and scenic designer Brian Sidney Bembridge wanted to learn the ropes by designing, not assisting. He could do that in a theatre community that encourages experimentation and collaboration, where egoless designers use one another as resources lighting designers suggest scenic ideas, for instance. To me that is Chicago, he says. I think it shows in my work.
Entertainment Design Tutorials
Tutorials, How-tos, and problem/solutions in the entertainment design industry.
Eugene Lee
When Eugene Lee designs a set, he often redesigns the theatre, repositioning exits, light booths, even walls, to accommodate the play. His audiences frequently find themselves inside, on top, or under sets that don't stay put. A graduate of Robert Brustein's Yale School of Drama, where he studied with Donald Oenslager, Lee first came to international attention when he designed Slave Ship and Candide
Rick Talaske
Rick Talaske heads the Talaske Group, Inc. (TGi), an Oak Park, IL-based team of consultants in acoustics, reinforcement, and theatrical sound effects systems, communications, and paging systems, telecommunications systems, and noise control. TGi has created and managed acoustics for over 100 spaces, including performance venues, corporate facilities, houses of worship, and recording and broadcast
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