Andrew Lloyd Webber's new musical, The Woman In White, took scenic designer William Dudley back to his roots in an odd way. “I studied to be a landscape painter in the mid-1960s when the world went abstract,” he says, admitting that he fled his London art school for the comfort of the theatre. “The theatre had a real sense of social purpose in those days, with plays by Beckett and Pinter.” To create the projected scenery for The Woman In White, which is set in ...

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