London is abuzz with heated debate about the extensive use of projected scenery in Andrew Lloyd Web-ber's new musical, The Woman In White. The debate focuses on the scenic concept for the show: Has production designer William Dudley created a new paradigm for theatrical staging, or has this production gone too far in replacing traditional scenic elements with digital imagery? Based on Wilkie Collins' extremely popular Victorian novel, The Woman In White tells a mysterious tale of love and ...
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