Since the new, smaller-scale tour of the legendary Cameron Mackintosh musical Miss Saigon opened at the UK’s Theatre Royal Plymouth in mid-2004, it has played countless venues throughout the UK, one in Portugal, four in Korea, one in South America, and three in Australia. Through all of that, one tool has been the key to keeping the lighting on top form: FocusTrack. Designed for shows that have to be maintained across long runs, through touring venues, or even across countries or ...
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