When Doyle and Barrett first encounter a space, “We absorb the atmosphere [and see] what the building offers up to the show organically,” says Doyle. The Massachusetts school presented challenges to Punchdrunk’s traditional way of working because the designers couldn’t paint very much black, which is crucial to the lighting palette and the creation of a controllable atmosphere. Instead, the school “felt very clean and glossy.” Having a blank palette ...
This content is free to access as a registered user on livedesignonline.com
Why register for livedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry