"Setting: London, Brindisi, Suez, Bombay, Calcutta, Hong Kong, Yokohama, The American West, New York, and various trains, boats, and other means of conveyance in between." Any set designer finding that statement on page one of a new script has to think, "How do I do that in one two-hour show?" Actually, there are two ways to approach such a project. One is to make a virtue out of spending more money on it than has ever been spent before. That’s the Mike Todd approach, which he used half ...
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