Read Part 1, discussing the sound design for Hair. Rather than recreate Hair’s lighting rig from the late ‘60s, lighting designer Kevin Adams wanted it to look more like a present-day production, using a two-part plot. “I wanted it to look contemporary, loose, and kind of off-the-cuff—simple, not over determined,” he says. The first plot includes 120 ETC Source Four PARs—with and without Wybron Coloram scrollers—hung on exposed side ladder structures and 22 ARRI 2kW Fresnels with Wybron ...
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