Problem This may be the season of the scenario. In the space of two months, audiences in Ann Arbor, MI, experienced two productions that were designed before they were written. Both involved tricky entranceways. You've already read about Sven Ortel's projection design for Complicite's A Disappearing Number (LD, September 2008), a work based loosely on two books by mathematicians. At the onset, director Simon McBurney didn't know how many actors he would use, where the play would be set, ...
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