Times have changed. Back in 1991, when William (“Willy”) McLachlan was working on the original American Gladiators, he had 22 moving lights. The show's latest incarnation, designed by Oscar Dominguez with McLachlan as lighting director, employs nearly 600 moving lights, and as McLachlan says, “We could have deployed 150 more moving lights and not even noticed.” Filmed on a sound stage just shy of the size of a soccer field, the set requires lighting coverage for long shots, underwater ...
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