Problem: Ken MacDonald crumbled up a section of his model for the Shaw Festival's Design for Living and threw it on the floor. “I got frustrated with my design of studio/warehouse windows for the opening scene,” says the scenic designer, who had cut window holes into rough cardboard. But when he glanced down, there it was — exactly what he wanted: a twisted, distorted maquette, the right wall to evoke the relationships of the main characters. Using a stylized unit ...
This content is free to access as a registered user onlivedesignonline.com
Why register forlivedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision