As a designer, I have had many opportunities to explore areas of collaboration — with artists, directors, managers, and especially lighting designers — while the sound department, constrained by its usual basic requirements, is often asked to move “unsightly equipment” from the set and made to lurk quietly in those dark recesses behind or under the stage. As I started my initial design exercises for this tour, it became obvious to me that this show, more than all the others, was about ...
This content is free to access as a registered user onlivedesignonline.com
Why register forlivedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision