"Madonna had a definite and very strong idea of what she wanted, and the design was driven very largely by that," says LD Al Gurdon, in terms of the ultimate lighting design. "We ended with an amalgamation of our original concepts to deliver her vision, and I knew I would do something different, depending on which songs were sung, and that was decided rather late in the scheme of things." Gurdon developed a rig to tackle the unique challenges of this particular show, which has a very fast ...
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