Seattle Opera technical director of Robert Schaub had initiated a move toward incorporating more digital media into the Opera’s designs, taking advantage of the recession’s insistence on reexamining the cost of physical production to further explore new developments in technology. He embraced the new advances and even took his team to Las Vegas to see the Cirque du Soleil production, The Beatles’ Love. After a previous collaboration on a production of Parsifal, also designed by Israel, ...
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