Seen at the Movies: For a film with two credited cinematographers, Collateral is remarkably of a visual piece. Three weeks into filming this L.A. noir, director Michael Mann and DP Paul Cameron experienced “creative differences,” and Cameron was replaced by Dion Beebe. But Mann’s vision of nighttime L.A. as a location of hellish beauty, seen predominantly through the windows of a taxi, prevails over any kinks in the production. The movie is a fairly standard thriller in which cabbie Jamie ...
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