We all know it: a director’s vision, the venue, the budget—they all largely shape what a designer does. “part of the reason plays get produced over and over and over is that, when you change those things, you have radically different productions of the same text,” says scenic designer Vincent Mountain. “Budget can have a big impact, but it doesn’t make a production better or worse. I’ve done some things for very little money that have been some of ...

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