Production designer Martin Childs approached the quasi-historical drama Quills, which focuses on the Marquis de Sade's latter days at Charenton, like a puzzle. "The event in Doug Wright's screenplay, I came to realize, could only happen if all the rooms were in a certain relationship to one another," says the designer, an Oscar winner for Shakespeare in Love. "It became a puzzle to work out how that could be done--and then, to turn that back into architecture as it might really have been, ...
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