The sound design for Matilda The Musical is in many ways a delivery system for composer Tim Minchin’s eclectic score, which sets the tone for the expansive, eccentric world of the show. Says Simon Baker, a two-time Tony nominee for past London imports Brief Encounter and Boeing-Boeing, and a frequent collaborator with director Matthew Warchus and the rest of the design team, “It needed to be massive, and not a straight presentation of a proscenium musical. One of the great ...
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