Peter Kaczorowski has lit over 35 plays and musicals on Broadway including Waiting For Godot, A View From The Bridge, Time Stands Still, Is He Dead?, Young Frankenstein, Curtains, Grey Gardens, The Pajama Game, The Producers, Contact, Kiss Me Kate, Steel Pier. Recent Off-Broadway: Ruined, Saturn Returns, Wig Out! Productions for LCT, MTC, NYSF, Playwright's and Encores. Regional: Guthrie, Goodman, La Jolla, Seattle Rep, Long Wharf among others. Opera: the Met, NYCO, San Francisco, LAMCO, Houston, Seattle, St. Louis. Abroad: Royal Opera, Scottish Opera, Opera/North, Maggio Festival Florence, L'Arena di Verona, La Fenice, Cagliari, Bonn and Lisbon. Recipient of Tony, Drama Desk, Outer Critics and Hewes design awards. He made his Seattle Opera debut designing the lighting for Gluck’s Orphée et Eurydice in 1988. Other productions with the company include Wagner’s Fliegende Holländer, Lohengrin, and the Ring (2001 and 2005) as well as Handel’s Xerxes and Barber’s Vanessa, Mozart's Nozze di Figaro, and Richard Strauss's Ariadne auf Naxos. He has also designed for the Metropolitan Opera, San Francisco Opera, Houston Grand Opera, New York City Opera, and Santa Fe Opera, among many others. Abroad, he has designed for Royal Opera Covent Garden, Scottish Opera, Opera North, Maggio Musicale Fiorentino, L’Arena di Verona, Teatro Lirico di Cagliari, and Sao Carlos in Lisbon

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