Peggy’s second Master Class Emoting and Motion: Communicating With Movement deals with her sense of movement in lighting, about which she says: "This talk is a discussion that was born of a series of questions that Jules asked me to answer philosophically, about using movement artistically and emotionally in theatre lighting. There are some practical aspects to it, but it's mainly about the emotion of integrating motion into one's work. It seemed like a natural level of discussion for designers, which is outside all of the technical aspects of automated lighting which occupies so much space in everybody's psyche, about what does what and how it's done. This is really about why and how one chooses motion, and what can you hope to create with it from the point of view of design."