There was no shortage of visually stunning works at the 2000 New York Film Festival, and experimentation was in healthy supply. From the handheld, digital video rawness of September 22 opening film Dancer in the Dark to the magical leaps and vistas of October 9's closing night attraction Crouching Tiger, Hidden Dragon, the screens at Lincoln Center were alive with cinema's new millennial possibilities. There were only a few American films in the festival, but they were distinguished. David ...

General Admission

This content is free to access as a registered user

Why register It's simple and free, and here is what you get:

  • Daily original news covering the latest in entertainment design and technology
  • Features on the latest industry trends
  • Insights from thought leaders in the industry
  • The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision

Already registered? here.