A corpse swings above the center of the stage. Downstage, people in black surround a trap that opens to absorb the body of King Henry V. “We mourn in black. Why not we mourn in blood,” the Duke of Exeter exclaims, heralding the beginning of the 13-hour bloody epic that the Royal Shakespeare Company brought to the Power Center in Ann Arbor, MI, in March. For scenic and costume designer Tom Piper, the flow of time became a major element in creating a world for the tetralogy that includes King ...

General Admission

This content is free to access as a registered user on livedesignonline.com

Why register for livedesignonline.com? It's simple and free, and here is what you get:

  • Daily original news covering the latest in entertainment design and technology
  • Features on the latest industry trends
  • Insights from thought leaders in the industry
  • The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision

 

Already registered? here.