In just a few years, digital technology has transformed yet another long-renowned cinematic technique: the art of matte painting. Whether filling out the giant ape's jungle habitat in the 1933 King Kong, Scarlett O'Hara's Tara plantation in Gone With the Wind, or the fantasy landscapes in The Wizard of Oz, matte paintings--traditionally done on glass and combined optically with a shot's live-action elements--have been a part of movie effects vocabulary almost since the beginning. But in the ...
This content is free to access as a registered user onlivedesignonline.com
Why register forlivedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision