I joined the UK sound company Orbital with a baptism of fire, diving straight into Bombay Dreams — the latest musical from Andrew Lloyd Webber to take London's West End by storm (see “Staying Afloat,” ED July 2002, page 40). Now into my sixth month with the company, I was given the equally heady challenge of coordinating all the sound and communications requirements for the first International Festival of Musical Theatre (IFMT) in Cardiff. The festival was staged by a team of experienced ...
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