In John Turturro's Illuminata, there is very little distinction between the costumes the cast of theatrical turn-of-the-century New York characters wear off- and onstage. "That was really the point of it," says costume designer Donna Zakowska. "It's about the theatre of life, how life and theatre are connected, and how the actual theatre is a valid place for expressing so many very important, essential ideas in one's life." Nor was the Belle Epoque Manhattan setting for the film's repertory ...
This content is free to access as a registered user onlivedesignonline.com
Why register forlivedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision