LD: You returned to the Broadway stage this fall with Equus. What was the basic lighting concept for the recent London production, and how does this transfer in terms of design and equipment for NY? David Hersey: The set design for Equus is a space in which several worlds have to exist, sometimes simultaneously. For example, the central platform is, for the most part, a psychiatrist's office, which can become a variety of locations as Alan's mind is probed, and moments from the past are ...
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