One of the most noteworthy elements of Steven Soderbergh's Traffic is the visual distinction between its three major story threads. The cold blue look of the Ohio and Washington, DC-set sequences centering on Michael Douglas' character and the sun-drenched palette of the San Diego scenes were achieved during production. But for the subtitled sequences set in Tijuana, featuring Benicio Del Toro as a Mexican police officer, something different was required. That was supplied by Cinesite, Inc., ...
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