Addicted to Noise Sound design, particularly on a modestly budgeted independent film like Darren Aronofsky's Requiem for a Dream, is often part of the post process. But Brian Emrich, sound designer on both Requiem and Pi, Aronofsky's award-winning debut feature, says, "With Darren, I'm in while they're shooting - prepping and talking to him about it, seeing the dailies. During editing, I was doing temp sound effects, because it makes a big difference to have some kind of sound while you're ...
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