AS WE WERE PUTTING THIS THIRD ISSUE OF SRO TO BED, I reread Catherine McHugh's cover story on the numerous staging challenges facing producers of this summer's Deaf Way II event in Washington D.C. As I pondered the immensity of staging such an event (see page 22), one that required producers to provide original, stimulating visuals and audio in a large venue for the enjoyment of a mainly non-hearing audience, while still meeting the needs of hearing attendees, I suddenly realized what ...

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