A British LD Comes Across, Comes Out, and Comes into His Own Chris Parry has had an extraordinary career, in more ways than one. His work is notable for the diversity of styles he has brought to theatre lighting — there was the claustrophobic, hothouse world of French aristocracy for Les Liaisons Dangereuses, the dazzling pinball wizard effects of The Who's Tommy, the enchanted forest of lightbulbs in A Midsummer Night's Dream, the chiaroscuro of Tennessee Williams' prison melodrama Not ...
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