The biggest technical challenge for the projection system on Lucky Guy was the forced-perspective ceiling above the set. Projection designer Robin Silvestri points out, “We project on the center of the ceiling, and that ceiling articulates into three different positions. The first position is as a flat ceiling; then it drops down at an angle for a particular scene at the NY Post newsroom; and then it lowers to a vertical position to become a backdrop for a scene at the end of Act ...
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