Early in my career, a production manager told me the only way he could make sure he had “perfect” sound reproduction for Philip Glass' live shows was by demanding Meyer speakers. As a sound designer and mixer, I have used tools from Meyer in every major event in my career. Whether other designers chose them — from mixing Abe Jacob's design for Cats, to a mass held by Pope John Paul II in Giants Stadium — or whether I selected them to solve an unusual design problem (MSL-2s on the Big Apple ...

General Admission

This content is free to access as a registered user on livedesignonline.com

Why register for livedesignonline.com? It's simple and free, and here is what you get:

  • Daily original news covering the latest in entertainment design and technology
  • Features on the latest industry trends
  • Insights from thought leaders in the industry
  • The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision

 

Already registered? here.