Back in the saddle for his fifth outing with country superstar Toby Keith, lighting/production designer Seth Jackson went for a big, stacked lighting look on the current Big Dog Daddy Tour, which concludes in late September. “This is very much a hard-hitting bump-and-flash rock show approach,” says Jackson. Or “flash and trash,” as lighting director Eddie “Bones” Connell would say. Connell programs on a Flying Pig Systems Wholehog 2 console, but as Jackson notes, “We may have reached our max ...
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