Cohen finds lighting an orchestra easier than a rock 'n' roll act. "I really laid out the architecture, the Star Destroyers, and functional instrumentation, and [associate lighting designer and programmer] Bryan Barancik picked the instrumentation for specific needs and power in certain areas," says Cohen. "Color-wise, I'm a really stickler for simple coloration. I don't use a lot of tones or competing hues—not mono-chromatic but clearly defined. I established a palette, and Seth and Bryan ...
This content is free to access as a registered user onlivedesignonline.com
Why register forlivedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision