LD: Talk about how your scenic design incorporates the circus and the performance troupe. Pask: An important part of the set is based on the traditional entrance chutes of the circus. It’s a pavilion of sorts, where, at the top of the circus, parades would originate, acts would originate. The circus band could potentially be up there. That’s how the ringmaster enters the ring for the first time. We transformed it into a magic box that’s constantly erupting with ...

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