Seen at the Movies: For a film with two credited cinematographers, Collateral is remarkably of a visual piece. Three weeks into filming this L.A. noir, director Michael Mann and DP Paul Cameron experienced “creative differences,” and Cameron was replaced by Dion Beebe. But Mann’s vision of nighttime L.A. as a location of hellish beauty, seen predominantly through the windows of a taxi, prevails over any kinks in the production. The movie is a fairly standard thriller in which cabbie Jamie ...
This content is free to access as a registered user on livedesignonline.com
Why register for livedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision