“I am interested in physical architecture and three-dimensional space, and how figures exist in it,” explains Christopher Oram, the UK-based set/costume designer for the 2006 London revival and new Broadway production of Evita. “This was my preoccupation, along with telling the story visually articulately and legibly.” Thus, New York is “based on the work we started in the London design but has been refined and embellished for Broadway,” Oram adds. The iconic moment in Evita is the balcony ...
This content is free to access as a registered user on livedesignonline.com
Why register for livedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision