The sound design for Matilda The Musical is in many ways a delivery system for composer Tim Minchin’s eclectic score, which sets the tone for the expansive, eccentric world of the show. Says Simon Baker, a two-time Tony nominee for past London imports Brief Encounter and Boeing-Boeing, and a frequent collaborator with director Matthew Warchus and the rest of the design team, “It needed to be massive, and not a straight presentation of a proscenium musical. One of the great ...
This content is free to access as a registered user on livedesignonline.com
Why register for livedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision