The sound design for Matilda The Musical is in many ways a delivery system for composer Tim Minchin’s eclectic score, which sets the tone for the expansive, eccentric world of the show. Says Simon Baker, a two-time Tony nominee for past London imports Brief Encounter and Boeing-Boeing, and a frequent collaborator with director Matthew Warchus and the rest of the design team, “It needed to be massive, and not a straight presentation of a proscenium musical. One of the great ...

General Admission

This content is free to access as a registered user on livedesignonline.com

Why register for livedesignonline.com? It's simple and free, and here is what you get:

  • Daily original news covering the latest in entertainment design and technology
  • Features on the latest industry trends
  • Insights from thought leaders in the industry
  • The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision

 

Already registered? here.