Broadway Sound Master Classes (BSMC), Saturday and Sunday, May 19-20, NYU Tisch School Of The Arts, including a ticket to the Broadway revival of Evita on Friday, May 18

Click here for full schedule

Click here for housing information (hotels or NYU dorm)

Click here for sponsorship opportunities, or email David Johnson.

REGISTRATION IS NOW OPEN!

Learn how the pros design Broadway plays and musicals in two days of thought-provoking sessions at the 2012 Broadway Sound Master Classes.

Starting with Evita, this year's featured musical on Friday evening, May 18, the two days of BSMC sessions feature top designers and audio pros who will discuss the ins and outs of designing plays and musicals using the latest audio techniques, as well as such essential concepts as sound system optimization and RF mic training. Each day is punctuated with the manufacturers showcase, which features leading manufacturers of audio gear and allows attendees the opportunity to explore today's hottest techo-breakthroughs from consoles and loudspeakers to mics and connectors. Full schedule.

Latest Master Classes News:

Broadway Projection Master Classes

The Broadway Projection Master Classes took place today at NYU Tisch with Zachary Borovay as creative consultant....

Broadway Sound Master Classes, Day Two

The Broadway Sound Master Classes (BSMC) wrapped up yesterday after its second day of sessions, led by Abe Jacob. ...

Broadway Sound Master Classes, Day One

The Broadway Sound Master Classes completed day one yesterday at NYU Tisch School of the Arts with Abe Jacob serving as creative consultant and culminating in a cocktail reception hosted by Meyer Sound....

Meyer Sound Scholarship Winners Announced

Winners of the 2012 John and Helen Meyer Scholarship to the Live Design Broadway Sound Master Classes...

Sweet Home Argentina, Evita Part 1: The Lighting

A look at Evita’s lighting, designed by Neil Austin, who will discuss his design during the Broadway Lighting Master Classes next week....

More

What People Are Saying about the BSMC:

"One of the biggest things that BSMC showed me was just how much people in theatre sound love what they do. It's a very unique industry, and I don't think that there's a single person doing it because they have to, or just to make a living."