These two sound designers will share their collaborative process and what it’s like making the transition to the Great White Way in their BSMC discussion, Moving to Broadway—The Nuts and Bolts. The following is from an interview that will appear in the May issue of Live Design. By Hannah Kate Kinnersley LD: Let’s talk about a project with a musical component. Rob Milburn: Why don’t you talk about The Bluest Eye? Michael Bodeen: It was a nice project, The Bluest Eye. Originally ...

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