Love it or hate it, the “sets” in Andrew Lloyd's Webber's musical, The Woman In White, are almost entirely digitally projected onto curved, rotating scenic elements. When the show opened in London's West End 18 months ago, designer William Dudley's use of projected scenery sparked a controversial debate about such a saturated digital environment (see “Victorian Secrets,” Entertainment Design, January 2005, at Directed by ...

General Admission

This content is free to access as a registered user on

Why register for It's simple and free, and here is what you get:

  • Daily original news covering the latest in entertainment design and technology
  • Features on the latest industry trends
  • Insights from thought leaders in the industry
  • The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision

Already registered? here.